
A book that is written and set in the 21st century but describes itself pompously as "a political entertainment" sits in the sweet spot of my Venn diagram of guilty pleasures. The resurgence of the excellent political drama/thriller House of Cards, the ongoing popcorn soap that is the United Kingdom Independence Party (he left - he came back! Is his deputy trying to bump him off? How
on earth is there an LGBT group there?), and of course the nail-biting build-up to the EU referendum that may or may not see me moving to Canada...well. In such heady times, a political entertainment is a consummation devoutly to be wished.
Regretfully, I remain un-consumed. Marr's story cracks along at a terrific rate, and there are the necessary twists and turns one might expect, but it never settles comfortably into a genre. There are humorous points; ex-spooks and industry chiefs lumber around, desperately trying to cover up the death of a the PM; in a moment of post-coital panic, a chap takes a wrench to the head; and the sweary Scottish spawn of Malcolm Tucker and Fraser Nelson (for who else could birth Nelson Fraser, a man with a mammoth-skin kilt) holds court with aplomb. These elements take the book into the glorious realm of political satire, even farce - but then, with no warning, it veers back into serious territory as limbs are lost and brains are damaged. It must have been enormous fun to write - it is a shame that it is less fun to read.
I suspect, as a final note, that my lack of enjoyment was coloured by the characterisation of the LGBT and female characters within the book. I appreciate that my ideas about treating non-hetero, non-male characters are something of a novelty, but: there is a word for a person who sleeps with women and men, and that word makes it on to the page just once. The only other LGBT character is an Indian man, who apparently ticks enough boxes to render a personality superfluous. This being British politics, the colour palette of the other characters is distinctly on the pale side.
What, then, of the women? We have a Bohemian woman, who does nothing but sleep around, smoke cigarettes, and shoot people. (She is naturally my favourite character.) Also starring: a woman who has a singular fondness for riding crops, bringing them into the bedroom and the briefing room with equal delight. It should be noted that I have nothing against women with riding crops, but if this is to be satire, could we have more personality than simply "whip wielding Dominatrix"?
In short, this novel has an interesting premise, and could work well as either high drama or low satire. However, unable to sit happily on either side, it meanders to its close as if it did not remember its tense beginning,